deborah remington
artist catalogs
2014 Dan Cameron & Fatima Manalili, The Avant-Garde Collection, Orange County Museum of Art, Newport Beach, CA
2010 David S. Rubin, ed., Psychedelic: Optical & Visionary Art Since the 1960s, San Antonio Museum of Art, San Antonio, TX
2008 A Retrospective Exhibition of the UNO Print Workshop Omaha, Nebraska, University of Nebraska at Omaha, Printed in Omaha
Logan, UT, Nora Eccles Harrison Museum of Art, “In the Spirit of the Times,” September 2003-July 2004
2007 National Academy, 182nd Annual Exhibition, New York, NY, May 18-June 24, 2007
2005 Yablonsky, Linda, Deborah Remington: Recent Work, New York, NY, Mitchell Algus
Gallery National Academy, Disegno. 180th Annual Exhibition
2003 Challenging Tradition: Women of the Academy 1826-2003, New York, NY, National Academy of Design
2001 Acton, David, The Stamp of Impulse: Abstract Expressionist Prints, Worcester Art Museum, Worcester, MA p.137 and catalogue cover
2000 175th Annual Exhibition, National Academy of Design, New York, NY
1992 Kertess, Klaus, Deborah Remington, Galerie Darthea Speyer
1989 Ashton, Dore, The Question of Drawing, Miami, FL, South Campus Art Gallery, Miami Dade College, Essay by Dore Ashton
1977 Joachim, Harold, Drawings of the 70s, Art Institute of Chicago, Society for Contemporary Art, Chicago, IL
Sollins, Susan, 41st Annual Midyear show, The Butler Institute of American Art, Youngstown, OH, The Butler Institute of American Art von Groschwitz, Gustave, Contemporary Collectors, Tamarind Institute, Tamarind Suite Fifteen, Albuquerque, NM
Seabolt, Fred, New in the Seventies, University Art Museum, Austin, TX
Robins, Corrine, Drawing Now: 10 Artists, June 3-26, 1976 New York, NY, SoHo Center for Visual Artists American Artists ’76: A Celebration, Marion Koogler McNay Art Institute, San Antonio, TX
Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern Art, San Francisco, CA
1975 Image, Color and Form, Todelo Museum of Art, Toledo, OH p. 21
Lithography I, Art Museum, University of New Mexico, Albuquerque, NM, p. 12
Dore, Ashton, Painting Endures, Institute of Contemporary, Boston, MA
Frank, Peter, The Small Scale in Contemporary Art, Art Institute of Chicago, Chicago,IL
1974 Woman’s Work-American Art 1974, Philadelphia Civic Center Museum, Philadelphia, PA
71st American Exhibition 1974, Chicago, Il. Art Institute of Chicago, p. 44
19th National Print Exhibition, Brooklyn, NY, The Brooklyn Museum, Brooklyn, NY
1973 Kunst von 2e Eeuw, Museum Boymans von Beuningen, Rotterdam, NL, p. l26
Small Works Selections from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, RI, p. 88
1972 Drawing by New York Artists, Utah Museum of Fine Arts, Salt Lake City, UT, 1972
New York, NY, Whitney Museum of American Art, Annual Exhibition, 1972
Pyramid Galleries Group Exhibition, Westmoreland County Museum of Art, Greensburg, PA
1971 What’s Happening in Soho College Park, University of Maryland, College Park, MD
1970 Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN, 1970, p. 14
Selz, Peter, American Painting 1970, Virginia Museum of Fine Art
Ashton, Dore, L’Art Vivant aux Etats-Unis, Foundation Maeght, St, Paul de Vence, p. 83
17th Annual Print Exhibition, The Brooklyn Museum, Brooklyn, NY
1968 Deborah Remington, Paris, Galerie Darthea Speyer
Wehrlin, Francios, L’Art Vivant, 1965-1968, Foundation Maeght, St. Paul de Vence,FR
1967 Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois, Urbana, IL, 1967, p. 16
Annual Museum, Whitney Museum of American Art, New York, NY
1966 2e Salon International de Galleries Pilotes, Lausanne, CH, 1966, p. 38
International Council of the Museum of Modern Art, Committee for Art in Embassies, New York, NY
Bykert Gallery Catalogue 1966-67 Season, New York, NY
1965 Less Known and Unknown Painters, Young American Sculpture-East to West, American Express Pavilion, New York World’s Fair, March 1965 p. 54
Some Aspects of California Painting and Sculpture, La Jolla Museum of Art, La Jolla, CA, March 1965, D. 17
The Drawing Society Regional Exhibition, Palace of the Legion of Honor, San Francisco, CA, 1965, p. 13
Far West Regional Exhibition of Art Across America, San Francisco Museum of Modern Art, San Francisco, CA
Annual Exhibition, Whitney Museum of American Art
84th Annual Exhibition, San Francisco Museum of Art, San Francisco, CA
Ten Touring Exhibitions, 1965-1966, Artists Association of the San Francisco Art Institute, Art Bank San Francisco, CA
1964 83rd Annual Exhibition, San Francisco Art Institute, San Francisco, CA, p. 20
Artists Association of the San Francisco Art Institute, Art Bank 64/66,
San Francisco, CA, p. 97
1963 4th Winter Invitational, California Palace of the Legion of Honor, San Francisco, CA
82nd Annual Painting Exhibition, San Francisco Museum of Art, San Francisco, CA
Exhibition of Contemporary Bay Area Art San Francisco, First Savings and Loan Association, San Francisco, CA
1962 Drawings from West Coast of U.S.A., Auckland Museum of Art, Auckland, NZ
Artists Association of the San Francisco Art Institute, Art Bank 62/63, San Francisco, CA, p.100
1961 80th Annual Painting Exhibition San Francisco, San Francisco Museum of Art, San Francisco, CA
1960 79th Annual Painting and Sculpture Exhibition, San Francisco Museum of Art, San Francisco, CA
23rd Annual Print and Watercolor Exhibition, San Francisco Art Association, San Francisco, CA
1958 22nd Annual Drawing and Print Exhibition, San Francisco Art Association, San Francisco, CA
1956 Second National Exhibition of Prints, Oakland Art Museum, Oakland, CA
19th Annual Drawing and Print Exhibition, San Francisco Art Association, San Francisco, CA
Painting and Sculpture Exhibition, San Francisco Art Association, 75th Annual, San Francisco, CA
1955 5th Annual Exhibition Oil and Sculpture, Richmond Art Center Richmond, CA
Western Sculpture and National Print Exhibition, Oakland Art Museum, Oakland, CA
First National Exhibition of Prints, Oakland Art Museum, Oakland, CA
First Graphics Exhibition, Texas Western College, El Paso, TX
Hopkins, Henry, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.
1954 3rd Annual Print Exhibition, Portland Museum of Art, Portland, OR
selected bibliography
2015 Ebony, David, “Deborah Remington at Wallspace,” artnet news, July 22, 2015
Halle, Howard, “Deborah Remington” (Wallspace), Time Out, July 15-21, 2015, p. 62
The New Yorker, “Deborah Remington” (Wallspace), July 20, 2015, p. 10
2009 Natsoulas, John et al., Beat Generation, The Art of Wondering, John Natsoulas Press, Davis, California
2005 Artner, Alan G, “Women Artists Shine at Block,” Chicago Tribune, November 3, 2005
2002 Fuller, Diana & Salvioni, Daniela, Art/Women/California: Parallels and Intersections: 1950-2000, U.C. Press, 2002
Stewart, Mary, Launching the Imagination, McGraw Hill, New York, 2002
2001 Grace, Trudie A, Paper Trail: Prints, Drawings, and Watercolors in the National Academy of Design, New York, N.Y. 2001, p. 58
2000 Devon, Marge et al, Tamarind: 40 Years, University of New Mexico Press
Morgan, Robert C., “Reconstructing Abstraction,” Review Magazine, May 1, 2000
Zinsser, John, “Painter’s Journal,” Artnet,com Magazine Reviews, June 6, 2000
The New Yorker, “Reconstructing Abstraction,” May 15, 2000
1996 Natsoulas, John et al., The Beat Generation Galleries and Beyond, John Natsoulas Press, Davis, CA
1993 Brewster, Todd, “Commitment, Commitment,” At Cooper Union, Vol. XXVI, No. 2, Fall 1993, p. 6-8
1992 Seigel, Judy, Mutiny and the Mainstream: Talk That Changed Art, 1975-1990,
Midmarch Arts Press, New York, NY, 1992, p. 42, 49-51, 71-72, 108, 172
Bouyeure, Claude, “Deborah Remington,” L’Oeil. No. 439, March 1992, p.88
Thompson, Walter, “Deborah Remington at Darthea Speyer,” Art in America, Vol. 80, No.5, May 1992, p.143-144
1991 Anderson-Spivy, Alexandra, “The Price of Fashion in New York,” Connoisseur Magazine, p. 23, January, 1991
1990 Natsoulas, John et al., Lyrical Vision: The 6 Gallery, 1954-1957, Natsoulas/Novelozco Gallery Press, Davis, CA, 1989
Lee, Anthony W, “The Gang of Six,” Artweek, January 25, 1990
1989 Collischan Van Wagner, Dr, Judy K, Lines of Vision: Drawings by Contemporary Women, Hudson Hills Press, Inc., New York, 1989
Raven, Arlene & Brown, Betty Ann, Exposures, Women & Their Art, New Sage Press, Pasadena, CA, 1989
Grant, Daniel, “Success Stories,” American Artist, Vol. 53, No. 569, December, 1989 p.53
1988 Ragon, Michel and Pleynet, Marcelin, L’Art Abstrait, 5th edition, Editions Maeght, Paris, 1988
Thorson, Alice, “An Intelligent Drawing Room,” Washington Times, February 18, 1988
Muchnic, Suzanne, Los Angeles Times, Friday, May 20, 1988, Part VI
Frank, Peter, “Deborah Remington: Recent Works,” L.A. Weekly, June 3-9, 1988
1987 Curtiss, Deborah, Introduction to Visual Literacy: A Guide to the Visual Arts and Communication, Prentice-Hall, New York, 1987, p. 55 & 57, 98
Raven, Arlene, “Night Light,” The Village Voice, Vol. XXXII, No.13, March 31, 1987, p. 90
Raynor, Vivien, “Review of exhibition at Jack Shainman Gallery,” The New York Times, Friday, April 3, 1987, p. C22
Thompson, Walter, “Deborah Remington at Jack Shainman,” Art in America, Vol. 75, No.7, July, 1987, p. 126-127
Rubin, Edward, “Deborah Remington,” New Art Examiner, Vol. 14, No. ll, Summer 1987, p. 53-54
1985 Albright, Thomas, Art in the San Francisco Bay Area, 1945-1980: An Illustrated History, University of California Press, Berkeley, CA
Robins, Corinne, The Pluralist Era, American Art 1968-1981, Harper and Row, New York, 1985
Donohoe, Victoria, “Abstractions of a Painter Whose Work Stands Apart,” The Philadelphia Inquirer, November 5, 1985, p. 39
Watson, Carol A, “Her Art Comes from Around the World,” The Philadelphia Inquirer, Sunday, November 17, 1985, p. 3-W
1984 Kutner, Janet, “Taking Advantage of Her Own Advice,” The Dallas Morning News, June 15, 1985, p. 1C, 3C
Regan, Kate, “Remington: Past and Present,” San Francisco Chronicle, Thursday, October 11, 1984, p. 73
Regan, Kate, “Recalling The Dilexi Spirit,” San Francisco Chronicle, Sunday, November 11, 1984, p. 12
1983 Ashton, Dore and Schimmel, Paul, Deborah Remington: A 20-Year Survey, Newport Harbor Art Museum, Newport Beach, CA
Gatenby, Greg, Ed., Whales, A Celebration, Greenpeace Foundation, Little, Brown & Co., Boston, Toronto, 1983, p. 154
O’Conner, Thomas, “Of Seductive Surfaces,” December 15, 1983- March 25, 1984, The Register, Sunday, December 18, 1983, Arts & Leisure, K section Donahoe, Victoria, Philadelphia Inquirer, Sunday, May 8, 1983, p. 14-H
1982 Ashton, Dore, American Art Since l945, Oxford University Press, NY, 1982, p.158
Rubinstein, Charlotte S., American Women Artists: From the Indian to the Present, G,K, Hall, Boston and Avon Books, New York, 1982
Cecil. Sarah, “Deborah Remington,” ARTnews, Vol. 81, No. 6, Summer issue, 1982, p. 206
Wortz, Melinda, “New Editions,” ARTnews, Vol. 82, No. 4, April. 1983, p. 88-89
1980 Donnell-Kotrozo, Carol, “The Dynamics of Illusion,” Artweek, February 2, 1980, Vol. ll, No. 4
Cullinan, Helen, “Painterly Mix of Fire and Ice Goes on Display,” The Plain Dealer, Thursday, May 22, 1980
Millner, Gloria, “Maverick Artist Has Her Own Rules,” The Cleveland Press, Friday, May 30, 1980, p. B
Larson, Kay, “Selling Yourself Yourself,” Village Voice, October 15-21, 1980, p. 71
Wojno, Gcraldine, “Deborah Remington,” Arts Magazine, December 1980, Vol. 55, No. 4, p. 10
1979 Kuspit, Donald B, “Deborah Remington: Autonomy and Absence in the Visual Koan,” Art International, Summer Issue, 1979, Vol. XXIII/3-4, p.17, p. 18
Robins, Corinne, “Deborah Remington: New Drawings,” Arts Magazine, November 1979, Vol. 54, No. 3, p. 136
Young, Joseph E, “Impressive Modern Art Highlights Exhibition,” The Arizona Republic, Sunday, December 16
1978 Veciana, Ana, “Deborah Remington: Portrait of the Artist as a Young Maverick,” The Miami News, Friday, March 10, 1978, p. 8D
Edwards, Ellen, “The Unique Vocabulary of Deborah Remington,” The Miami Herald, Sunday, March 12, 1978
1977 Bevlin, Marjorie Elliott, Design Through Discovery, Holt, Reinhart and Winston, New York, 1977, p. 86
Kingsley, April, “Review of group exhibition at Hamilton Gallery,” SoHoWeekly News, February 10, 1977, p. 16
Glueck, Grace, “Review of group exhibition at Hamilton Gallery,” The New York Times, February 11, 1977
Robins, Corinne, “Deborah Remington: Paintings Without Answers,” Arts Magazine, April 1977, Vol. 51, No. 8, p. 140, 141
Anderson, Alexandra, “Voice Choices,” The Village Voice, Vol. XXII, No. 16, April 18, 1977, p. 82
Glueck, Grace, “Art: Deborah Remington Refines Contour of a Mystery Form,” The New York Times, Friday, April 29, 1977
Kramer, Hilton, “Review of group drawing exhibition at Hamilton Gallery,” The New York Times, Friday, June 24, 1977
Wooster, Ann-Sargent, “Review of exhibition at Hamilton Gallery,” NY, ARTnews, Summer, 1977, Vol. 76, No. 6, p. 195
Moore, Sylvia, The Feminist Art Journal, Summer 1977, Vol. 6, No. 2, “Review of exhibition at Hamilton Gallery,” p. 51, p. 52
Hartman, Barbara, “Deborah Remington to Speak on Her Personal Vision of Art,” Gazette Journal, Reno, NV, November 6,1 977
Perreault, John, “Deborah Remington,” Vogue Magazine, March 1978, Vo1. 168, No. 3, p.46
1976 Cummings, Paul, American Drawings: The 20th Century, Viking Press, 1976
Robbins, Corinne, Drawing Now: 10 Artists, SoHo Center for Visual Arts, June 3-June 26, 1976
Glueck, Grace, “Ballroom on a Ballroom Wall is Unveiled in SoHo,” New York Times, March 23, 1976
Perreault, John, “Breaking Guitars,” SoHo News, June 10, 1976 p.18
Anderson, Alexandra, “A Singular Painter Sees Double,” Village Voice, September 6, 1976, p. 78
Carter, Malcolm N., “The World Art Market Conference,” ARTnews, Vol.75, No. 10, December, 1976, p. 51
Gorney, Jay, “Drawing Today in New York,” The College Art Association Art Journal, XXXV1/2, Winter 1976/77, p. 143
1975 Contemporary Artists, St, James Press, London, 1975 Ed Shapiro, Miriam, Art: A Woman’s Sensibility, California Institute of the Arts, Valencia, CA, 1975, p. 57
Larson, Kay, “Partying in the Palace of the ICA,” The Real Paper, May 21, 1975, p. 24 Artner, Alan G, “On View at the Institute, A Small Scale Showing that Loses its Balance,” Chicago Tribune, May 25, 1975
Robins, Corinne, “Deborah Remington: Cool Fire,” Arts Magazine, October, 1975, Vo1. 50, No. 2, p. 50
Miller, Donald, “Deborah Remington’s ‘Portraits of Objects in Space,’” ARTnews, October, 1975, Vol. 74, No. 8, p. 86, p. 87
1974 “Review: Exhibition at Galerie Darthea Speyer, Paris,” Opus International, #48, January, 1974, p. 78
Miller, Donald, “Abstracts Show Highest Quality,” Pittsburgh Post-Gazette, February 25, 1974
Cummings, Paul, “New Editions,” Art News, Vol. LXXIII, No. 3, March, 1974, p. 49-50
Rose, Barbara, “Vaginal Iconography,” New York Magazine, February 11, 1974, p. 59
“Anonymous Was a Woman, A Documentation of the Women’s Art Festival 1974,” Feminist Art Program, California Institute of the Arts, Valencia, CA, p.114
Glueck, Grace, “In Philadelphia, Sisterly Love,” New York Times, May 20, 1974 Anderson, Alexandra, Village Voice, September 12, 1974, p. 56
Perreault, John, Village Voice, September 26, 1974, p. 40
Frank, Peter, “Exhibition at Brooke Alexander,” ARTnews, October, 1974, Vol. LXXIII, No. 8, p. 122
Dreiss, Joseph, “Exhibition at Bykert Gallery,” Arts Magazine, November, 1974, Vol. 49, No. 3, p. 13, p. 12
Frank, Peter, “Exhibition at Bykert Gallery,” ARTnews, November, 1974, Vol. 73, No. 9, p. 114
1973 Hess, Thomas B, & Baker, Elizabeth C., Art And Sexual Politics, Collier, New York, 1973, p. 128
McChesney, Mary Fuller, A Period of Exploration, The Oakland Museum, Oakland, CA Crimp, Douglas, “New York Letter,” Art International, Vol. VII, February 1973, p. 68, p. 49
Brumer, Miriam, “Organic Image: Woman’s Image,” The Feminist Art Journal, Spring 1973, p.13
Shapiro, Miriam & Chicago, Judy, “Female Imagery,” Womanspace Journal, Vol. I, No. 3, Summer, 1973, p. 13
Gibson, Michael, “Exhibition at Galerie Darthea Speyer,” Herald Tribune, October 1973
1972 Cummings, Paul, Archives of American Art, Smithsonian Institution, Washington, D.C., Summer 1972, Interview
Weiss, Margaret, “Bykert Gallery, New York Exhibitions,” ARTnews, Vol. LXXI, December 1972, p. 73
Frank, Peter, “Manifestations Internationales: New York,” Artitudes, Numero 2, December 1972-January 1973, p. 38
“Review: Darthea Speyer Gallery,” Art and Artists, Vol. VI, January 1972, p. 54, il. Seneca
“Review: Galeria Darthea Speyer,” Goya, Vol. 106, January 1972, p. 247, il. Tudor Davis, Douglas, “Portrait of Young Artists,” Newsweek, February 7, 1972
Mellow, James R., “Paintings by Deborah Remington Shown at the Bykert Gallery,” New York Times, November 25, 1972, p. 23:1
1971 Koethe, J., “Obelisk Gallery, Boston, Exhibition,” ARTnews, Vol. 70, Summer, 1971, p. 67
“Review: Darthea Speyer Gallery,” Art International, Vol. XV, November 1971, p. 64
Marchand, Sabine, “Exhibition at Galerie Darthea Speyer,” Le Figaro, September 30, 1971
Gibson, Michael, “Exhibition at Galerie Darthea Speyer,” Herald Tribune, October 6, 1971
Breerette, Genevieve, “Exhibition at Galerie Darthea Speyer,” Monde, October 6, 1971
1970 Ratcliff, Carter, “Exhibition at Bykert Gallery,” Art International, Vol. XIV, January, 1970, p. 90
Ashton, Dore, La Peinture Modern aux Etats-Unis, UNESCO, 1970
1969 Cutler, Carol, Art In America, Vol. LVII, March 1969, p. col Perreault, John, The Village Voice, November 20, 1969, p. 34
Ashton, Dore, “Exhibition at Bykert Gallery,” Studio International, Vol. 178, December, 1969, p. 231
1968 Ashton, Dore, “Quid est:…For an Answer Only Enigma,” Arts Magazine, Vol. XLIII, No. 5, March 1968, p. 48
Miege, Denise, “Exhibition at Galerie Darthea Speyer, Paris,” Opus International, No. 7 Juin, Paris, p. 84
Leveque, Jean-Jacques, “Exhibition Galerie Darthea Speyer, Paris,” La Galerie des Arts, Julliet-Aout
1967 Ashton, Dore, “New York Gallery Notes,” Art in America, Vol. LV, January, 1967, p. 93
Browne, Rosalind, “Show at Bykert Gallery,” ARTnews, Vol. LXVI, No. 2, January 1967, p. 14
Ashton, Dore, “Deborah Remington at Bykert,” Studio International, Vol. 173, June, 1967, p. 317
Taylor, Simon Watson, “Space Machines,” Art and Artists (London) Vo l, II, No. 5, August, 1967, p. 30-33
1966 Stiles, Knute, “The Mysterious Machine,” Artforum, Vol. IV, No. 6, February, 1966, p. 25-26, Statement
Art International, Vol. X, No. 5, May 20, 1966
Friedman, B.H., “The Whitney Review, 1965-1966, The Whitney Museum’s New Home,” The Whitney Museum of American Art, New York, 1966, p.12
1965 Ventura, Anita, “San Francisco: The Aloof Community,” Arts Magazine, Vol. IXL, No. 7, April. 1965, p. 72-73
Stiles, Knute, “84th Annual,” Artforum, Vol. IV, No. 2, October, 1965, p. 42-43
Monte, James, “Exhibition: Dilexi Gallery,” Artforum, Vol. IV, No. 3, November 1965, p. 47-48
1964 Stiles, Knute, “San Francisco Drawings and the Like,” Artforum, Vol. II, No. 10, April 1964, p. 13
Ventura, Anita, “Drawings and the Like in San Francisco,” Arts Magazine, Vol. 38, April 1964, p.54
Ventura, Anita, “Exhibition of Drawings in the San Francisco Museum of Art,” Arts Magazine, Vol. IXL, October, 1964, p. 25
1963 Perkins, Constance, “Deborah Remington Shows Art With Dynamic Vitality,” Los Angeles Times, February 11, 1963
M.D., “Exhibition at Dilexi Gallery,” Artforum, Vol. I, No. 11, May 1963, p. 48
1962 H.W. , “San Francisco Art Institute Art Bank,” Artforum, Vol. I, No. 4, September, 1962, p. 46
Monte, James, “Exhibition at Dilexi Gallery,” Artforum, Vol. I, No. 7, December 1962, p. 48